Julia Hülsmann
Julia Hülsmann was born in Bonn in 1968. She took classical piano lessons from the age of eleven and started her first band at 16. In 1991, she moved to Berlin to study jazz piano at the University of the Arts (HdK) and the following year joined the German Youth Jazz Orchestra (BuJazzO). Since 1997, Hülsmann has worked with her own trio, playing at clubs and festivals all over Germany.
Julia Hülsmann’s ECM debut The End of a Summer came in 2008, with regular partners Marc Muellbauer (bass) and Heinrich Köbberling (drums), followed by Imprint, in 2011. In 2012, the trio became a quartet with the addition of English trumpet and flugelhorn player Tom Arthurs, a line-up which released In Full View, in 2013. Arthurs brought a strong new frontline voice that not only inspired Julia Hülsmann as player and arranger, but also had a stimulating [...]
Julia Hülsmann was born in Bonn in 1968. She took classical piano lessons from the age of eleven and started her first band at 16. In 1991, she moved to Berlin to study jazz piano at the University of the Arts (HdK) and the following year joined the German Youth Jazz Orchestra (BuJazzO). Since 1997, Hülsmann has worked with her own trio, playing at clubs and festivals all over Germany.
Julia Hülsmann’s ECM debut The End of a Summer came in 2008, with regular partners Marc Muellbauer (bass) and Heinrich Köbberling (drums), followed by Imprint, in 2011. In 2012, the trio became a quartet with the addition of English trumpet and flugelhorn player Tom Arthurs, a line-up which released In Full View, in 2013. Arthurs brought a strong new frontline voice that not only inspired Julia Hülsmann as player and arranger, but also had a stimulating effect on the composing activities within the quartet.
Singer Theo Bleckmann added his considerable vocal gifts to the quartet on A Clear Midnight: Kurt Weill and America (2015), an imaginative response to the composer’s songs that had its origins in the 2013 Kurt Weill Festival in Dessau. John Fordham wrote in the Guardian: “This might just be one of the great jazz treatments of the songs of Kurt Weill […] Not a sound is out of place on this beautifully crafted project.”
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| YEAR | DATE | Artist | VENUE | LOCATION | |
| 2026 | March 01 |
Julia Hülsmann Octet
"While I Was Away" |
Pflegidach | Muri, Switzerland | |
| 2026 | March 03 |
Julia Hülsmann Octet
"While I Was Away" |
A-Trane | Berlin, Germany | |
| 2026 | March 04 |
Julia Hülsmann Octet
"While I Was Away" |
A-Trane | Berlin, Germany | |
| 2026 | March 05 |
Julia Hülsmann Octet
"While I Was Away" |
Nica Club | Hamburg, Germany | |
| 2026 | May 16 |
Julia Hülsmann Quartet w/ Uli Kempendorff, Marc Muellbauer, Heinrich Köbberling
"Under The Surface" |
KFM | Glarus, Switzerland | |
| 2026 | May 23 |
Julia Hülsmann Quartet w/ Uli Kempendorff, Marc Muellbauer, Heinrich Köbberling
"Under The Surface" |
Loch | Wuppertal, Germany | |
| 2026 | July 10 |
Julia Hülsmann Octet
"While I Was Away" |
Dottenhofer Jazznacht | Bonn, Germany | |
| 2026 | September 11 |
Julia Hülsmann Octet
"While I Was Away" |
GEMS Jazzclub | Singen, Germany | |
| 2026 | October 03 |
Julia Hülsmann Quartet w/ Uli Kempendorff, Marc Muellbauer, Heinrich Köbberling
"Under The Surface" |
ehemalige Kettenfabrik | Saarbrücken, Germany |