“Business is bad” confesses Karen Mantler, and many in the music world will sympathize. Almost 20 years have passed since Karen’s last leader album on XtraWatt (Farewell). In the interim she has been a Virgin artist with her Pet Project disc, appeared on several recordings with parents Michael Mantler (The School of Understanding) and Carla Bley (The Carla Bley Big Band Goes To Church, Looking for America, Appearing Nightly), been a member of the Golden Palaminos, participated in diverse Robert Wyatt tribute bands and homages to Disney and Nino Rota, played accordion on street corners, given harmonica lessons, and served coffee in SoHo.
The struggle to maintain her own projects has perhaps strengthened her own brand of whimsical songwriting. Snowstorms, volcanoes, lawyers and bill-collectors do their damnedest to dampen Mantler’s moods in these songs of woe but Karen’s vocal delivery remains stoical and nonchalant. Doug Wieselman (of Anthony and the Johnsons, Lounge Lizards, and Kamikaze Ground Crew fame) and Kato Hideki (whose many credits include the Death Ambient trio and projects with John Zorn) lend subtle and supple support throughout.
Business Is Bad
Karen Mantler
- 1Catch As Catch Can
06:09 - 2My Magic Pencil (Wrote This Melody)
02:57 - 3Speak French
05:55 - 4Wintertime
04:13 - 5Surviving You
06:31 - 6Business Is Bad
04:44 - 7I Can't Afford My Lawyer
02:59 - 8My Solo
06:59 - 9That Damn Volcano
05:08
“Smarts and whimsy intermingle freely and charmingly in the work of the singer-songwriter Karen Mantler.”
- The New Yorker
Karen Mantler is back, with a new collection of songs about the human condition and troubles large and small. Nonchalantly and disarmingly, Karen sings of homeless people in the park, the disappearance of friends, the frustrations of being monolingual, the challenge of improvisation, music with a mind of its own, and encounters with bill collectors, lawyers, snowstorms, and ash-spewing volcanoes. Through it all she sounds like a survivor, monitoring mishaps with deadpan humour.
Almost 20 years have passed since the recording of her last XtraWatt album, Farewell, which praised and buried Arnold, Mantler’s meanwhile legendary cat. Since then, Mantler has kept herself busy by the most diverse means. She was briefly a Virgin artist with her Pet Project recording of 1999, and has appeared on several albums with parents Michael Mantler (The School of Understanding) and Carla Bley (The Carla Bley Big Band Goes To Church, Looking for America, Appearing Nightly), been a member of the Golden Palominos, participated in diverse Robert Wyatt tribute bands (Wyatt responded by recording some of her tunes on Cuckooland), as well as hommages to Disney and Nino Rota. She has also, as she notes in her very detailed bio (recommended reading) at the WATT website, played accordion on street corners, given harmonica lessons, and served coffee in SoHo.
The struggle to maintain her own projects has perhaps strengthened Karen’s idiosyncratic songwriting. The cast of Business is Bad is smaller than on her previous discs and, arguably, more effective. Her voice, and her distinctive chromatic harmonica and piano are foregrounded. Subtle and supple support in the realization of the pieces is provided throughout by Doug Wieselman (of Antony and the Johnsons, Lounge Lizards, and Kamikaze Ground Crew fame) and Kato Hideki (whose many credits include the Death Ambient trio and projects with John Zorn, as well as Karen’s Pet Project). The three of them – Mantler, Wieselman and Hideki – previously collaborated in Hideki’s band, Plastic Spoon. Business Is Bad was recorded at Peter Karl Studio and Dog Day Studio, both in Brooklyn, between October 2012 and April 2013. It was mixed and mastered at Dog Day in September 2013.
The album was co-produced by Karen Mantler and Kato Hideki.
- The New Yorker
Karen Mantler is back, with a new collection of songs about the human condition and troubles large and small. Nonchalantly and disarmingly, Karen sings of homeless people in the park, the disappearance of friends, the frustrations of being monolingual, the challenge of improvisation, music with a mind of its own, and encounters with bill collectors, lawyers, snowstorms, and ash-spewing volcanoes. Through it all she sounds like a survivor, monitoring mishaps with deadpan humour.
Almost 20 years have passed since the recording of her last XtraWatt album, Farewell, which praised and buried Arnold, Mantler’s meanwhile legendary cat. Since then, Mantler has kept herself busy by the most diverse means. She was briefly a Virgin artist with her Pet Project recording of 1999, and has appeared on several albums with parents Michael Mantler (The School of Understanding) and Carla Bley (The Carla Bley Big Band Goes To Church, Looking for America, Appearing Nightly), been a member of the Golden Palominos, participated in diverse Robert Wyatt tribute bands (Wyatt responded by recording some of her tunes on Cuckooland), as well as hommages to Disney and Nino Rota. She has also, as she notes in her very detailed bio (recommended reading) at the WATT website, played accordion on street corners, given harmonica lessons, and served coffee in SoHo.
The struggle to maintain her own projects has perhaps strengthened Karen’s idiosyncratic songwriting. The cast of Business is Bad is smaller than on her previous discs and, arguably, more effective. Her voice, and her distinctive chromatic harmonica and piano are foregrounded. Subtle and supple support in the realization of the pieces is provided throughout by Doug Wieselman (of Antony and the Johnsons, Lounge Lizards, and Kamikaze Ground Crew fame) and Kato Hideki (whose many credits include the Death Ambient trio and projects with John Zorn, as well as Karen’s Pet Project). The three of them – Mantler, Wieselman and Hideki – previously collaborated in Hideki’s band, Plastic Spoon. Business Is Bad was recorded at Peter Karl Studio and Dog Day Studio, both in Brooklyn, between October 2012 and April 2013. It was mixed and mastered at Dog Day in September 2013.
The album was co-produced by Karen Mantler and Kato Hideki.
