Encore is a companion volume to Résumé, the widely-praised solo album issued in 2011. Eberhard Weber returns once more to the many live recordings of his tenure with the Jan Garbarek Group, isolating his bass solos and reworking them into new pieces with the addition of his own keyboard parts. “I became what you might call a composer of New Music,” says Weber, “with the proviso that I make use of old things.”This season’s special guest is veteran Dutch flugelhorn player Ack van Rooyen. Van Rooyen, who played on Weber’s ECM leader date, The Colours of Chloë more than 40 years ago now adds his own subtle colours to Weber’s contemporary sound-montages. The bass solos were recorded between 1990 and 2007, in thirteen European cities, from Edinburgh to Seville, and the music was mixed and edited at Studios La Buissonne in the South of France in November 2014.
Encore
Eberhard Weber
Encore ist eine Art Begleiter zu Resumé, dem allenthalben gelobten Weber-Soloalbum aus dem Jahr 2011. Erneut wendet sich Weber den vielen Live-Aufnahmen aus seiner Zeit in der Jan Garbarek Group zu: Er isoliert seine Bass-Soli aus diesen Aufnahmen und arbeitet sie in neue Stücke ein, ergänzt um eigene Keyboard-Parts. „Ich bin geworden, was man einen Neue-Musik-Komponisten nennen könnte“, sagt Weber, „mit dem Vorbehalt, dass ich auf alte Dinge zurückgreife.“ Sein Special Guest ist diesmal der holländische Flügelhorn-Spieler Ack van Rooyen, der schon auf Webers ECM-Album The Colours of Chloë vor 40 Jahren mitgewirkt hatte. Van Rooyen trägt nun seine subtilen Farben zu Webers zeitgemäßen Sound-Montagen bei. Die Bass-Soli wurden zwischen 1990 und 2007 in dreizehn europäischen Städten, von Edinburgh bis Sevilla, aufgenommen. Gemischt und editiert wurde die Musik im November 2014 in den La Buissonne Studios in Südfrankreich. Das Album erscheint im zeitlichen Umfeld mit den Jubiläumskonzerten zu Eberhard Webers 75.Geburtstag und der Veröffentlichung seiner Autobiografie.
- 1Frankfurt
02:47 - 2Konstanz
03:16 - 3Cambridge
04:16 - 4Rankweil
04:14 - 5Langenhagen
03:53 - 6Granada
02:57 - 7Sevilla
04:30 - 8London
03:00 - 9Klagenfurt
03:41 - 10Bradford
03:54 - 11Edinburgh
02:05 - 12Hannover
03:23 - 13Pamplona
03:17
Auf seiner neuen CD hat er eine Reihe von Bass-Soli aus der Vergangenheit bearbeitet und mit dem Flügelhornspieler Ack van Rooyen in eine neue Form gebracht. Wie Archivmaterialklingt das nicht, denn vor dem Ohr des Hörers entrollen sich nebulöse Klangwelten von wagnerischer Suggestionskraft. Weber beweist uns, dass es egal ist, auf welchem Weg Musik letztlich entsteht, solange eine Geschichte erzählt und mit gestalterischer Kraft umgesetzt wird.
Wolf Kampmann, Eclipsed
The solos on which the album is based were recorded between 1990 and 2007, but they have a consistent, timeless quality. In his solo work, Weber would use a variety of technologies to loop and multi-track his bass, building up music with just one instrument. Here he is adding to that with other instruments, but the intrinsic simplicity remains. Van Rooyen's contribution to some tracks is important, bringing a further dimension to the music. The result is virtuosic but relaxed, and sometimes almost ambient. Bass solos have a reputation for driving some gig goers to drink. Eberhard Weber's skill and creativity in making a whole album from solo outtakes is considerable, and may change many minds.
Patrick Hadfield, London Jazz News
There's a tremendously dynamic atmosphere to all these tracks, with the bassist (a pioneer on the electric upright instrument) using electronic loops and electronic chordal treatments to great effect. His subsequent use in the studio of electric keyboard, and van Rooyen's haunting flugelhorn sounds, add greatly to pieces which would be stimulating enough in themselves. […] 'Encore' is a considerable musical achievement, by a musician whose creativity and individuality will endure.
John Watson, Jazz Camera
That Weber has, once again, taken solo bass features—and, with the addition of keyboard orchestrations and, in some cases, looping to allow van Rooyen sufficient solo space—as the foundation for a suite of compelling compositions is a remarkable feat in and of itself: a kind of reverse-engineered approach to composition. A concluding space-filled fragment is made all the more definitive with the addition of synthesized marimba on ‘Klagenfurt’ (which also features a brief, burnished solo from van Rooyen), leading into the initially metronomic ‘Bradford,’ where a similar texture this time provides both the pulse and melodic foil for Weber's ever-distinctive bass work. These are but two examples of how Weber, with a very special set of ears, is able to hear the compositional potential in his archival live solos—the way a good photographer, with a unique eye, can see the artistic possibilities in what might seem to be a clearly defined scene, making them crystal clear to those for whom such things remain elusive.
John Kelman, All About Jazz
Presented as a companion album to ‘Resumé’ released in 2012, this latest album from Weber should be by no means regarded as a follow up, but rather coexists with its predecessor with the only similarities perhaps being the manner of creation with their genesis from the same initial sessions. […] Highly appropriate that Ack van Rooyen should feature so strongly throughout ‘Encore’ as he played on the bassist’s debut album, ‘The Colours of Chloe’ some 42 years previously, and now plays an important part in what Weber says maybe his last album. A marvellous set of ‘recompositions’ that delivers in abundance, utilising a method of working that is less sensitive hands could result in pure self indulgence.
Nick Lea, Jazz Views
“Encore” follows up the musical directions Eberhard Weber explored on his critically-acclaimed “Resumé” album of 2012. The source material here is comprised of more of the unique electric bass solos Weber played in performances with the Jan Garbarek Group between 1990 and 2007. Track titles derive from tour itineraries of the period. Here are pieces recorded in Frankfurt, Cambridge, Rankweil, Bradford, London, Klagenfurt, Granada, Edinburgh, Konstanz, Seville, Hannover, Langenhagen and Pamplona – none of them sounding as they did on the night. Now the solos are meticulously edited, rearranged and modified with additional keyboard parts played by Weber. In November 2014 he put the finishing touches to the material at Studios La Buissonne in southern France, joined by an old friend, veteran Dutch trumpeter and flugelhorn player Ack van Rooyen (who appeared on Weber’s “The Colours of Chloë”, forty-two years ago): “Van Rooyen played on my debut, and now he’s on what may be my last album. I can’t really say whether I’ll turn out anything after ‘Encore’.”
Weber discusses the album’s genesis in a liner note interview with Karl Lippegaus: “I listen to a lot of music and I listen very precisely. It took me a year to find out what I could do with this material. Those bass solos with the Garbarek Group functioned as transitions between two large blocks of sound in the concerts. Usually they were completely spontaneous, roughly six to ten minutes long. I lit on the idea of adding something to them myself. Since I’m no longer able to play bass, I have to plough my way with one hand on keyboard or piano. Here I could decide where I wanted a piano part and when to stop, something that’s almost never possible on stage, even out of courtesy to the others... Spontaneity is very important. I could make use of solos from almost two decades of work.” Now, Weber says, he must address his earlier spontaneity from another perspective, becoming his own producer and critic. The process of remoulding solos from the past to make music in the present is an unconventional one but its potential was evident already on “Résumé”. In Jazz Journal Michael Tucker described that disc as “music of dark and deep yet also rhythmically engaging, at times even playful substance. Featuring judicious use of digital delay and loops, and with diversely unfolding and layered pizzicato and arco motifs offering what registers throughout as mythopoetically-charged melody, the meta-music that is ‘Résumé’ is perhaps the most thoroughly arresting of all the albums Weber has made.” “Encore” carries its momentum forward.
“Encore” is issued in Eberhard Weber’s 75th year, his birthday celebrated in January with sold-out concerts in Stuttgart, the town where he was born, with performances of Weber’s music and new work dedicated to him, featuring Jan Garbarek, Ralph Towner, Gary Burton, Pat Metheny, Danny Gottlieb, Scott Colley, Michael Gibbs , Paul McCandless and the SWR Big Band.
Eberhard Weber’s autobiography Résumé: Eine deutsche Jazz-Geschichte is imminent from German publishers Sagas Edition.
In January Eberhard Weber received a lifetime achievement award, the newly created Landes-Jazzpreis Baden Württemberg, honoring his artistic work and influence on musicians worldwide.
Weber discusses the album’s genesis in a liner note interview with Karl Lippegaus: “I listen to a lot of music and I listen very precisely. It took me a year to find out what I could do with this material. Those bass solos with the Garbarek Group functioned as transitions between two large blocks of sound in the concerts. Usually they were completely spontaneous, roughly six to ten minutes long. I lit on the idea of adding something to them myself. Since I’m no longer able to play bass, I have to plough my way with one hand on keyboard or piano. Here I could decide where I wanted a piano part and when to stop, something that’s almost never possible on stage, even out of courtesy to the others... Spontaneity is very important. I could make use of solos from almost two decades of work.” Now, Weber says, he must address his earlier spontaneity from another perspective, becoming his own producer and critic. The process of remoulding solos from the past to make music in the present is an unconventional one but its potential was evident already on “Résumé”. In Jazz Journal Michael Tucker described that disc as “music of dark and deep yet also rhythmically engaging, at times even playful substance. Featuring judicious use of digital delay and loops, and with diversely unfolding and layered pizzicato and arco motifs offering what registers throughout as mythopoetically-charged melody, the meta-music that is ‘Résumé’ is perhaps the most thoroughly arresting of all the albums Weber has made.” “Encore” carries its momentum forward.
“Encore” is issued in Eberhard Weber’s 75th year, his birthday celebrated in January with sold-out concerts in Stuttgart, the town where he was born, with performances of Weber’s music and new work dedicated to him, featuring Jan Garbarek, Ralph Towner, Gary Burton, Pat Metheny, Danny Gottlieb, Scott Colley, Michael Gibbs , Paul McCandless and the SWR Big Band.
Eberhard Weber’s autobiography Résumé: Eine deutsche Jazz-Geschichte is imminent from German publishers Sagas Edition.
In January Eberhard Weber received a lifetime achievement award, the newly created Landes-Jazzpreis Baden Württemberg, honoring his artistic work and influence on musicians worldwide.
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