Mette Henriette

Mette Henriette

2-CD23,90 add to cart
LP24,90 out of print
EN / DE
The untitled ECM double-album debut of young Norwegian saxophonist, composer and improviser Mette Henriette Martedatter Rølvåg is an arrestingly original musical statement. ‘Jazz’ players and ‘classical’ players are drawn together in her ensembles, but the music shapes its own world, outside genre definitions. Mette Henriette is interlacing form and freedom in fresh ways here, as her intense and focused tenor saxophone sound moves inside compositions of sometimes disarming fragility. In this music, vulnerability can be as potent a force as full-tilt blowing, but there is a place for both. The recording’s expressive and emotional range is wide. Disc one here features trio music with Mette Henriette, pianist Johan Lindvall and cellist Katrine Schiøtt. Disc two has Mette’s “sinfonietta” with thirteen players. Line-up of the larger group includes some names familiar to ECM listeners – trumpeter Eivind Lønning, drummer Per Oddvar Johansen, and the members of the Cikada Quartet ­– , all pooling creative energies to serve Mette’s music. The album was recorded at sessions in Oslo in May and August 2014, and produced by Manfred Eicher.
Das unbetitelte ECM-Doppelalben-Debüt der jungen norwegischen Saxophonistin, Komponistin und Improvisatorin Mette-Henriette Martedatter Rølvåg ist ein atemberaubendes musikalisches Statement. In ihren Ensembles treffen ‚Jazzmusiker‘ auf ‚Klassikmusiker‘ – doch die dabei entstehende Musik erschafft ihre eigenen Welten, außerhalb der Genre-Definitionen. Mette-Henriette verknüpft hier Form und Freiheit auf ungewöhnliche Art, während ihr intensives und fokussiertes Tenorsaxophonspiel sich durch Kompositionen von mitunter entwaffnender Fragilität bewegt. In dieser Musik kann Verletzlichkeit so wirkungsmächtig sein wie mit voller Kraft geblasene Passagen, aber es besteht Raum für beides. Das Ausdrucks- und Emotionsspektrum dieser Aufnahme ist enorm. Disc eins enthält Trio-Stücke mit Mette Henriette, dem Pianisten Johan Lindvall und der Cellistin Katrine Schiøtt. Auf Disc zwei ist Mettes dreizehnköpfige „Sinfonietta“ zu hören. Zur Besetzung dieser größeren Gruppe gehören einige Namen, die ECM-Hörern bereits vertraut sind: Trompeter Eivind Lønning, Schlagzeuger Per Oddvar Johansen, und die Mitglieder des Cikada Quartetts, die ihre kreativen Energien im Dienst von Mettes Musik vereinen. Das Album wurde im Mai und August 2014 in Oslo aufgenommen und von Manfred Eicher produziert.
Featured Artists Recorded

May-August 2014, Rainbow Studio, Oslo

Original Release Date

16.10.2015

  • CD 1
  • 1so
    (Mette Henriette)
    01:41
  • 2.oOo.
    (Johan Lindvall)
    03:47
  • 3the taboo
    (Mette Henriette)
    01:55
  • 4all ears
    (Mette Henriette)
    03:56
  • 5but careful
    (Mette Henriette)
    01:01
  • 6beneath you
    (Mette Henriette)
    03:10
  • 7once
    (Mette Henriette)
    03:53
  • 8we were to
    (Mette Henriette)
    00:54
  • 93 - 4 - 5
    (Johan Lindvall)
    01:59
  • 10hi dive
    (Mette Henriette)
    02:52
  • 11a void
    (Mette Henriette)
    04:27
  • 12the lost one
    (Mette Henriette)
    01:10
  • 13in circles
    (Mette Henriette)
    03:41
  • 14I do
    (Mette Henriette)
    03:48
  • 15O
    (Johan Lindvall)
    03:18
  • CD 2
  • 1passé
    (Mette Henriette)
    05:00
  • 2pearl rafter
    (Mette Henriette)
    01:04
  • 3veils ever after
    (Mette Henriette)
    01:54
  • 4unfold
    (Mette Henriette)
    00:40
  • 5wildheart
    (Mette Henriette)
    05:44
  • 6strangers by midday
    (Mette Henriette)
    02:51
  • 7late à la carte
    (Mette Henriette)
    04:10
  • 8so it is
    (Mette Henriette)
    01:38
  • 9?
    (Mette Henriette)
    03:32
  • 10true
    (Mette Henriette)
    00:47
  • 11this will pass too
    (Mette Henriette)
    00:58
  • 12but we did
    (Mette Henriette)
    03:48
  • 13I
    (Mette Henriette)
    08:09
  • 14breathe
    (Mette Henriette)
    03:59
  • 15off the beat
    (Mette Henriette)
    01:51
  • 16wind on rocks
    (Mette Henriette)
    06:34
  • 17bare blacker rum
    (Mette Henriette)
    01:50
  • 18& the silver fox
    (Mette Henriette)
    01:41
  • 19behold
    (Mette Henriette)
    00:59
  • 20better unheard (yet to be hold)
    (Mette Henriette)
    01:12
 “The details are fascinating.  Mette Henriette is a contemporary music star on the rise.”
(The Guardian).  “[She] expounds a fragile and slow-moving acoustic aesthetic, a sort of steam-punk minimalism.  But there is a conviction here, perhaps the utter certainty of youth, that gives this surprising debut its electrical edge.”(Irish Times). “Veers from quiet as a mouse murmurs to scare-the-neighbours screams.  In short, it’s amazing.” (The Independent)
 
Mette Henriette’s ECM debut was one of the most widely-reviewed releases of 2015, praised across the board – from international newspapers to jazz magazines and pop blogs - for its striking originality and its imaginative reconsideration of the nature of musical freedom.  Now, four years later, the Sámi-Norwegian saxophonist-improviser-composer has compiled a single vinyl disc drawn from the double CD set, a concentrated, boiled-down version, emphasizing pieces that continue to resonate subtly and persuasively. As she sums it up: “The same scenes with a different structure, a different narrative, a different journey.
 
“It’s in the nature of the industry, with its high frequency of turnover, to be always waiting for
the next new thing,” Mette Henriette reflects. “For me, that’s an interesting and sometimes frustrating aspect of reality. But, meanwhile, I felt that the music had grown along with the context for it, so I wanted to present again the pieces that really linger, from my perspective.” Tangentially, the release in LP format is also a gesture toward MH’s peers, young musicians and listeners of the post-CD generation…
 
Music on the original release was divided into two sections, for trio and ensemble performances, headed o and Ø, respectively; the cryptic subtitling has a symbolic meaning for Mette Henriette, who says she has “always had an intuitive circular way of understanding my surroundings, always felt this circular energy.”  The saxophonist is now exploring new avenues that the radiating influence of the album has opened up.
 
“I became a nomad in the same moment as the album was issued and I have been floating around the world with my saxophone since then.  It was such a release to feel the wind in my hair, to be challenged in new ways, and expand my craft.  Whenever I was not touring corners of the world,  most of my time was spent in Paris,  London,  New York,  Los Angeles,  Torino,  Sápmi,  Svalbard and Oslo.  It allowed me to go deeper in both music and other disciplines including architecture, design, visual art, film, scenography and performing arts.”  
 
Commissions brought Mette Henriette and her music to some far-flung places and contexts. From JazzFest Berlin with large ensemble, to the Atlanta Jazz Festival with trio, to solo performance at multi-arts festival documenta14 in Athens.  As an artist of Sámi heritage, she was intensely involved with work generated by the 100th anniversary of the Sámi Assembly, and premiered her piece Sáivu at the indigenous festival Riddu Riddu in Norway’s Far North. “Sáivu is a word referring to sacred lakes with double bottoms hiding a parallel universe where everything is upside-down. In Sámi culture people believe in these untouchable places existing alongside us. The first thing I did was to build a sculptural scenography resembling the silver jewellery that Sámi nomads traded with the Norwegians.  This was even a way to shed light on the cultural togetherness and mutual dependence - and I have both cultures in my blood, as many do.”
 
With US group CocoRosie and Icelandic composer Valgeir Sigurðsson, Mette Henriette also recorded music for Robert Wilson’s theatre performance Edda based on Old Norse mythology.  She “experimented with audio-visual productions with haze and fog” at London’s Southbank Centre, explored compositional methods during a residency at Edvard Munch’s Ekely studio, worked on scores, graphics and a sound installation at Artica Svalbard, and performed at the opening of an underwater restaurant designed by Snøhetta.   Collaborations with orchestras and ensembles have included work with the Trondheim Symphony as well ongoing work with Cikada and the Arctic Philharmonic Orchestra.  Mette Henriette is currently touring with Chilean-American electronic composer Nicolas Jaar’s new band, and also preparing new music of her own.
 
In September 2019, she appeared with pianist Johan Lindvall at the ECM50 concert series at Oslo’s Victoria Nasjonal Jazzscene, on a bill shared with Carla Bley’s trio with Andy Sheppard and Steve Swallow.