“The details are fascinating. Mette Henriette is a contemporary music star on the rise.”
(The Guardian). “[She] expounds a fragile and slow-moving acoustic aesthetic, a sort of steam-punk minimalism. But there is a conviction here, perhaps the utter certainty of youth, that gives this surprising debut its electrical edge.”(Irish Times). “Veers from quiet as a mouse murmurs to scare-the-neighbours screams. In short, it’s amazing.” (The Independent)
Mette Henriette’s ECM debut was one of the most widely-reviewed releases of 2015, praised across the board – from international newspapers to jazz magazines and pop blogs - for its striking originality and its imaginative reconsideration of the nature of musical freedom. Now, four years later, the Sámi-Norwegian saxophonist-improviser-composer has compiled a single vinyl disc drawn from the double CD set, a concentrated, boiled-down version, emphasizing pieces that continue to resonate subtly and persuasively. As she sums it up: “The same scenes with a different structure, a different narrative, a different journey.
“It’s in the nature of the industry, with its high frequency of turnover, to be always waiting for
the next new thing,” Mette Henriette reflects. “For me, that’s an interesting and sometimes frustrating aspect of reality. But, meanwhile, I felt that the music had grown along with the context for it, so I wanted to present again the pieces that really linger, from my perspective.” Tangentially, the release in LP format is also a gesture toward MH’s peers, young musicians and listeners of the post-CD generation…
Music on the original release was divided into two sections, for trio and ensemble performances, headed o and Ø, respectively; the cryptic subtitling has a symbolic meaning for Mette Henriette, who says she has “always had an intuitive circular way of understanding my surroundings, always felt this circular energy.” The saxophonist is now exploring new avenues that the radiating influence of the album has opened up.
“I became a nomad in the same moment as the album was issued and I have been floating around the world with my saxophone since then. It was such a release to feel the wind in my hair, to be challenged in new ways, and expand my craft. Whenever I was not touring corners of the world, most of my time was spent in Paris, London, New York, Los Angeles, Torino, Sápmi, Svalbard and Oslo. It allowed me to go deeper in both music and other disciplines including architecture, design, visual art, film, scenography and performing arts.”
Commissions brought Mette Henriette and her music to some far-flung places and contexts. From JazzFest Berlin with large ensemble, to the Atlanta Jazz Festival with trio, to solo performance at multi-arts festival documenta14 in Athens. As an artist of Sámi heritage, she was intensely involved with work generated by the 100th anniversary of the Sámi Assembly, and premiered her piece Sáivu at the indigenous festival Riddu Riddu in Norway’s Far North. “Sáivu is a word referring to sacred lakes with double bottoms hiding a parallel universe where everything is upside-down. In Sámi culture people believe in these untouchable places existing alongside us. The first thing I did was to build a sculptural scenography resembling the silver jewellery that Sámi nomads traded with the Norwegians. This was even a way to shed light on the cultural togetherness and mutual dependence - and I have both cultures in my blood, as many do.”
With US group CocoRosie and Icelandic composer Valgeir Sigurðsson, Mette Henriette also recorded music for Robert Wilson’s theatre performance Edda based on Old Norse mythology. She “experimented with audio-visual productions with haze and fog” at London’s Southbank Centre, explored compositional methods during a residency at Edvard Munch’s Ekely studio, worked on scores, graphics and a sound installation at Artica Svalbard, and performed at the opening of an underwater restaurant designed by Snøhetta. Collaborations with orchestras and ensembles have included work with the Trondheim Symphony as well ongoing work with Cikada and the Arctic Philharmonic Orchestra. Mette Henriette is currently touring with Chilean-American electronic composer Nicolas Jaar’s new band, and also preparing new music of her own.
In September 2019, she appeared with pianist Johan Lindvall at the ECM50 concert series at Oslo’s Victoria Nasjonal Jazzscene, on a bill shared with Carla Bley’s trio with Andy Sheppard and Steve Swallow.