Myung Whun Chung, piano

Myung Whun Chung

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The ECM New Series debut of Myung Whun Chung features the widely-celebrated conductor as pianist. Recorded at Venice’s Teatro La Fenice, in July 2013, the album marks the first occasion that Chung has recorded solo. In a performer’s note, he describes the album as a gift for younger listeners, as well as a personal thanks to those who share his love of this music. Chung’s touch and sensitivity for dynamics cast a new light on familiar pieces – by Debussy, Chopin, Beethoven, Tchaikovsky, Schubert, Schumann and Mozart – as they are experienced in a gently flowing sequence which also serves to highlight affinities between the compositions. Although conducting now fully occupies his professional life, Chung (born 1953 in Seoul) made his debut as pianist with the Seoul Philharmonic at the age of seven. He later studied the piano with Maria Curcio, the last and favourite pupil of Artur Schnabel. In 1974 he was a prize winner in the Tchaikovsky Competition. He then began his career playing piano trios with his sisters, Kyung Wha Chung and Myung Wha Chung.

Das Debüt von Myung Whun Chung bei ECM New Series präsentiert den gefeierten koreanischen Dirigenten in seiner Eigenschaft als Pianist. Aufgenommen im Juli 2013 im Teatro La Fenice in Venedig und produziert von Manfred Eicher, ist es auch die erste CD-Veröffentlichung überhaupt, die Chung als Solisten in den Mittelpunkt stellt.
Wie er im Beiheft der CD anmerkt, versteht Myung Whun Chun das Album als Geschenk an die junge Hörerschaft, aber auch als persönlichen Dank an all jene, die mit ihm die Liebe zu den hier interpretierten Werken teilen. Chungs Anschlag und Gespür für Dynamik rücken die vertrauten Werke von Debussy, Chopin, Beethoven, Tschaikowski, Schubert, Schumann und Mozart in ein ganz neues Licht, die organisch fließende Abfolge der Werke lässt die Affinitäten zwischen ihnen spürbar werden.
Featured Artists Recorded

July 2013, Teatro La Fenice, Venice

Original Release Date

04.04.2014

  • 1Clair de Lune
    (Claude Debussy)
    05:44
  • 2Nocturne in D-flat major op. 27/2
    (Frédéric Chopin)
    06:06
  • 3Für Elise
    (Ludwig van Beethoven)
    03:00
  • 4Autumn Song
    (Piotr Ilyich Tchaikovsky)
    04:54
  • 5Impromptu in E-flat major D899/2
    (Franz Schubert)
    04:51
  • 6Träumerei
    (Robert Schumann)
    02:44
  • 7Arabeske
    (Robert Schumann)
    07:00
  • 8Impromptu in G-flat major D899/3
    (Franz Schubert)
    07:38
  • 9Nocturne in c-sharp minor op. posth.
    (Frédéric Chopin)
    03:58
  • 1012 Variations on "Ah! Vous dirais-je, maman" K. 265
    (Wolfgang Amadeus Mozart)
    09:04
The ECM New Series debut of Myung Whun Chung features the widely-celebrated conductor as pianist. Recorded at Venice’s Teatro La Fenice, in July 2013, the album marks the first occasion that Chung has recorded solo. In a performer’s note, he describes the album as a gift for younger listeners, as well as a personal thanks to those who share his love of this music.

Chung’s touch and sensitivity for dynamics cast a new light on familiar pieces – by Debussy, Chopin, Beethoven, Tchaikovsky, Schubert, Schumann and Mozart – as they are experienced in a gently flowing sequence which also serves to highlight affinities between the compositions.

Myung Whun Chung (born 1953 in Seoul) made his debut as pianist with the Seoul Philharmonic at the age of seven. He studied conducting in New York, at Mannes College and the Juilliard School, and studied the piano with Maria Curcio, the last and favourite pupil of Artur Schnabel. In 1974 he was joint second-prize winner in the Tchaikovsky Competition (where he performed Tschaikovsky’s “Autumn Song”, revisited on the present recording from La Fenice).

Chung then began his career playing piano trios with his sisters, Kyung Wha Chung and Myung Wha Chung, and serving as assistant conductor at the Los Angeles Philharmonic during Carlo Maria Giulini’s tenure.

Appointments followed as chief conductor of the Deutsche Radio Philharmonie Saarbrücken (1984-90) and principal guest conductor at the Teatro Comunale in Florence (1987-92) before he took his place at the forefront as music director of the Paris Opéra (1989-94). He opened the inaugural season at the Opéra Bastille with a much praised interpretation of Berlioz’ Les Troyens; he also became Olivier Messiaen’s conductor of choice, and the dedicatee, with his orchestra, of Messiaen’s Concert à quatre. Among many international prizes and awards, he was admitted to the Légion d’honneur in 1992.

In 2000 he became music director of the Orchestre Philharmonique de Radio France, while retaining his similar post with the Asia Philharmonic Orchestra in Seoul, which he founded in 1997. He also has relationships with the Seoul Philharmonic as artistic director and principal conductor, the Tokyo Philharmonic as special artistic advisor, and the Staatskapelle Dresden as principal guest conductor.

Many of his recordings (for Deutsche Grammophon) have won prizes, amongst them his accounts of Olivier Messiaen's Turangalîla Symphony and Eclairs sur l’Au-Delà, Verdi's Otello, Berlioz's Symphonie Fantastique, Dmitri Shostakovich's Lady Macbeth with the Orchestre de l'Opéra Bastille; a series of Dvorák's symphonies and serenades with the Wiener Philharmoniker, a series dedicated to sacred music with the Orchestra dell'Accademia Nazionale di Santa Cecilia, including the award-winning recording of Maurice Duruflé’s and Fauré’s Requiems with Cecilia Bartoli and Bryn Terfel.

Earlier recordings that feature Myung Whun Chung as pianist include albums of the Chung Trio playing Dvorak, Mendelssohn, Brahms, Beethoven and more, as well as Messiaen’s Quartet for the End of Time with Paul Meyer, Gil Shaham, and Jian Wang. Myung Whun Chung also recorded with Cecilia Bartoli on the critically-lauded Chants d’Amour, Mélodies Françaises.