Neighbourhood

Manu Katché, Tomasz Stanko, Jan Garbarek, Marcin Wasilewski, Slawomir Kurkiewicz

Manu Katché’s first leader date for ECM finds him fronting a remarkable band, assembled by producer Manfred Eicher, which brings the French-African drummer together with Norwegian saxophonist Jan Garbarek and Polish trumpeter Tomasz Stanko. Two of Stanko’s gifted young associates, pianist Marcin Wasilewski and bassist Slawomir Kurkiewicz, complete an ensemble which plays Manu’s music with enormous assurance, as if they’ve been playing together for years. Which, indeed, some of them have. As so often with this record label, a “first encounter” trails a network of associations and interwoven histories….
 
Initially published on CD in September 2005, vinyl is issued in June 2019.
Featured Artists Recorded

March-November 2004, Rainbow Studio, Oslo

Original Release Date

26.09.2005

  • 1November 99
    (Manu Katché)
    05:58
  • 2Number One
    (Manu Katché)
    06:10
  • 3Lullaby
    (Manu Katché)
    06:08
  • 4Good Influence
    (Manu Katché)
    04:56
  • 5February Sun
    (Manu Katché)
    04:42
  • 6No Rush
    (Manu Katché)
    05:49
  • 7Lovely Walk
    (Manu Katché)
    06:14
  • 8Take Off And Land
    (Manu Katché)
    03:59
  • 9Miles Away
    (Manu Katché)
    04:07
  • 10Rose
    (Manu Katché)
    06:11
Jahrespreis der deutschen Schallplattenkritik
Preis der deutschen Schallplattenkritik, Bestenliste 4/2005
BBC Music Magazine, Jazz Choice
Jazz FM, Album of the month
Jazz Magazine, Disque d’émoi de l’année
Jazz Magazine, Disque d’émoi
Musica Jazz, Disco del mese
 
Manu Katché, who leads this relaxed supersession featuring trumpeter Tomasz Stanko and saxophonist Jan Garbarek, is the kind of drummer who can’t not groove. On Neighbourhood he adds propulsion to the kind of chamber jazz that too often floats in a musical soup of formless percussion. He makes a beautiful sound on his kit, too, and meshes nicely with pianist Marcin Wasilewski and double bassist Slawomir Kurkiewicz on the opening track. … Neighbourhood is a thoughtful, feelgood jazz album that harks back to the traditions of modern jazz while remaining contemporary – thanks to Katché’s inventive drumming.
John L Walters, The Guardian
 
Neighbourhood will head my end-of-year list unless something truly amazing comes out between now and December. This is music that grows on you – the beautiful, sensual sounds of Tomasz Stanko’s trumpet and Jan Garbarek’s saxophone weave melodic shapes while Marcin Wasilewski’s piano provides the perfect counterpoint with elegant musical inventions of his own.
Stuart Nicholson, Observer Music Monthly
 
Ruminative, soulful and always melodic, this is cool jazz with a fiery heart.
John Bungey, The Times
 
This beautifully recorded album, as contemporary in its overall breadth and depth of conception as it is archetypal in poetic import and melodic appeal, will come to be seen as a milestone of European jazz. Far and away the release of the year, and, for me at least, worthy of the sort of attention and veneration that has long been accorded Kind Of Blue.
Michael Tucker, Jazz Journal International
 
Die unaufgeregte und schlichte, dabei höchst suggestive CD Neigbourhood des Schlagzeugers Manu Katché … gewinnt mit jedem Hören. Bekannt geworden ist Katché als Drummer von Popstars wie Peter Gabriel, Robbie Williams, Sting; nun aber legt der 47-jährige ein Débutalbum als Komponist und Bandleader vor, das gar nichts mit der Welt der Stadien und kreischenden Fans zu tun hat. Es besteht ausschließlich aus Eigenkompositionen Katchés und bietet Kammerjazz in erstklassiger Besetzung… Als Solist nimmt sich der Drummer hier ganz zurück; er beschränkt sich darauf, einprägsame Patterns in die Zeit zu legen, die er unmerklich variiert. Garbarek improvisiert dagegen expressiver als gewohnt, und auch Stanko durchbricht seine lyrische Schwermut gelegentlich mit temperamentvollen Statements. Insgesamt aber ist die Musik auf einen wunderbar ruhigen Ton gestimmt. Mit weitem Atem öffnet sie die Klangräume.
Manfred Papst, Neue Zürcher Zeitung am Sonntag
 
Jan Garbarek, der Hymniker aus dem Norden, und Tomasz Stanko, der Trompetenmuezzin aus Krakau, geben einen traumhaften Bläsersatz für die melodienseligen Kompositionen des Bandleaders. Das schwerelose Ineinandergleiten von Marcin Wasilewskis perlendem Klavierspiel mit Slawomir Kurkiewiczs federndem Bass könnte die Entdeckung dieser Platte sein, würde einem nicht mit jedem Hören bewusster, welch grandioses Schlagzeugspiel dieses Gipfeltreffen lenkt, treibt und begründet.
Ulrich Steinmetzger, Rheinischer Merkur
 
Das ECM-Album Neighbourhood bringt einen Drummer zu Gehör, der eher unspektakulär groovt, aber immer wieder für klangliche und rhythmische Überraschungen gut ist, wenn er seine Stöcke auf Becken und kleinen Trommeln tanzen lässt. … Eine Sensation sind die Musiker, die sich auf dem Album an der Seite des 1958 in Paris geborenen Drummers zusammengefunden haben. Jan Garbarek, Saxophon, und Tomasz Stanko, Trompete, überwältigen mit Klangbildern von ergreifender Schönheit und Traurigkeit, die weder Garbareks Folklore-gesättigte Melancholie noch Stankos brüchige Elegie allein erreichen. Und dazu geben dezent und rhythmisch souverän Marcin Wasilewski, Piano, und Slawomir Kurkiewicz, Bass, … dem Quintett nicht nur einen wunderbar elastischen Halt, sondern können auch immer wieder melodische Akzente setzen. Neighbourhood ist ein großer Wurf und für mich ein Top-Anwärter auf nationale und internationale Auszeichnungen.
Heribert Ickerott, Jazzpodium
 
 
 

Manu Katché’s first leader date for ECM finds him fronting a remarkable band, assembled by producer Manfred Eicher, which brings the French-African drummer together with Norwegian saxophonist Jan Garbarek and Polish trumpeter Tomasz Stanko. Two of Stanko’s gifted young associates, pianist Marcin Wasilewski and bassist Slawomir Kurkiewicz, complete an ensemble which plays Manu’s music with enormous assurance, as if they’ve been playing together for years. Which, indeed, some of them have. As so often with this record label, a “first encounter” trails a network of associations and interwoven histories….

Katché loomed into public consciousness as a pop drummer in the mid-1980s, his loping, floating beat eagerly embraced by musicians from Peter Gabriel to Sting to Joni Mitchell. In 1988, Manfred Eicher heard him playing on Robbie Robertson’s untitled Geffen album and felt that his pulses and patterns, simultaneously modern and tribal, could easily be adapted to improvised contexts. In fact, Katché had already given the matter some thought. It turned out he’d been an ECM follower since his teenage years, when he was studying percussion at the Paris Conservatory, and listening to the label’s albums – particularly those of Jan Garbarek, Keith Jarrett and John Abercrombie – had helped him shape some of his own ideas concerning jazz and ensemble playing and the relationship of sound and silence.

Invited to participate in ECM’s 20th anniversary concerts in Paris in 1989, Katché jumped at the opportunity, playing first in a trio with Jan Garbarek and Indian violinist Shankar in a concert at La Cigale (the venue to which Katché returns for the launch concert for “Neighbourhood” on October 4th). Garbarek was immediately excited by Katché’s playing, which he has compared to that of the great pre-self-expression players of jazz whose goal was always and only to serve the music:

“Manu has many qualities as a player. He can do many things, but much of his playing is pattern oriented. He’s looking for just the right drum pattern to fit a piece of music and he’ll stay with that, but vary it in minimalistic ways with dynamics and attack. Rather than breaking loose to play soloistically, he maintains the ambience he’s created. I love all the old jazz drummers, like Jo Jones, for example, or Gene Krupa, and they were also more pattern oriented rather than freely expressive in the way that most contemporary jazz drummers are. And it’s something I’ve missed. Manu has that quality in his approach, but also a very elegant sophistication, a poetic sensitivity.”

In the early 1990s, Manu Katché joined the Jan Garbarek Group for several tours. He appeared on five subsequent albums with Jan: “I Took Up The Runes”, “Ragas and Sagas”, “Twelve Moons”, “Visible World”, and the 2004 release “In Praise of Dreams”.

Garbarek and Tomasz Stanko have crossed paths periodically over the decades. In the early 70s Stanko jammed with Jan’s “Triptykon” trio. At the end of the decade they both played with Edward Vesala’s large and small ensembles in Helsinki and were further reunited at a still fondly-remembered Frankfurt Festival show in a group line-up that also included Lester Bowie, Kenny Wheeler, John Abercrombie, Eddie Gomez and Jack DeJohnette. Gary Peacock’s superb “Voice From The Past – Paradigm” CD of 1981 also featured Garbarek and Stanko. Stanko marvelled then at the range of the jazz tradition that Garbarek could address on his saxophones, easily accessing the vocabularies of saxophonists from Coleman Hawkins to Albert Ayler and Archie Shepp: a “gigantic technical ability.” “We musicians, if only having such abilities, tend to display what we can do,” Stanko remarked to writer Michael Tucker, “while Jan – quite to the contrary.” Garbarek’s own discs, controlled, ruminative, tend to reflect a distillation of his musical thought. However, ECM ‘production projects’ sometimes encourage more overtly “jazz” responses from the saxophonist. Albums with Peacock, Miroslav Vitous (“Star”, “Universal Syncopations”), Kenny Wheeler (“Deer Wan”) have emphasized this aspect, so too does “Neighbourhood”, while its very title brings to mind one of Garbarek’s frequently quoted statements: “You might say I live in a spiritual neighbourhood which is scattered geographically around the world”. In this case not so very “scattered”, perhaps, given the strongly Slavic make-up of the band: Garbarek is himself half-Polish.

Stanko’s countrymen Wasilewski and Kurkiewicz have already been playing with the great trumpeter since 1994, when both were 18 years old. They appear on his widely acclaimed “Soul of Things” and “Suspended Night” CDs and have their own album, called simply “Trio” which also gathered very positive press, with JazzTimes calling it “a work of exquisitely nuanced quietude,” and Salon speaking of “the loveliest piano trio debut in years.” Young players with an ear open to the creative possibilities of pop, Wasilewski and Kurkiewicz grew up with Katché’s rhythmic innovations as part of the soundtrack of their lives, and can play very naturally with the drummer. More than this: they take his material, develop it, and help to create a musical environment in which all participants can give of their best. Kurkiewicz locks into Manu’s patterned beat, and Wasilewski plays eloquently behind sax and trumpet and takes exceptional solos of his own.