Quiet Inlet

Food - Thomas Strønen, Iain Ballamy, Nils Petter Molvaer, Christian Fennesz

CD18,90 out of print

Food has defined a new kind of lyrical electro-acoustic improvisation in the course of its twelve year existence. Founded as a quartet in 1998, since 2006 the group has been a core duo of UK saxophonist Iain Ballamy and Norwegian drummer Thomas Strønen joined by guests for diverse projects. At the Molde Jazz Festival and the Oslo Blå club in 2007/8 their guests were trumpeter Nils Petter Molvaer, well known to ECM followers, and Austrian improvising guitarist Christian Fennesz, making his label debut. The resultant music, with melodic improvising, trancelike pulses, and shifting clouds of sound is highly attractive.

Featured Artists Recorded

2009, Norway

Original Release Date

16.04.2010

  • 1Tobiko
    (Iain Ballamy, Thomas Strønen)
    07:08
  • 2Chimaera
    (Iain Ballamy, Thomas Strønen)
    05:00
  • 3Mictyris
    (Iain Ballamy, Thomas Strønen)
    05:41
  • 4Becalmed
    (Iain Ballamy, Thomas Strønen)
    07:51
  • 5Cirrina
    (Iain Ballamy, Thomas Strønen)
    06:16
  • 6Dweller
    (Iain Ballamy, Thomas Strønen)
    06:20
  • 7Fathom
    (Iain Ballamy, Thomas Strønen)
    08:39
ECM’s scrupulousness about sound quality certainly counts here, and Quiet Inlet vibrates with irresistibly fascinating detail and visceral excitement. Strønen ushers it in with a clamour of percussion and electronic sound, from rattlesnake fizzes to running feet, while Iain Ballamy’s soprano sax floats above. A melee of brittle drum patterns brings on a darker tenor-sax tone, and Molvær on trumpet at his most enigmatic. … This is contemporary music through and through, with an urgent mix of acoustic and electronic sound.
John Fordham, The Guardian
 
The group is joined this time by trumpeter Nils Petter Molvær and noise/ambient guitar star Christian Fennesz. Together they’ve produced a sumptuous and strikingly original record. … Food’s music is a magical hybrid of technology and improvisation, Europe and America, ambience and dance.
Colin Buttimer, BBC online
 
The pristine fjord-like depth of Eicher’s production on Quiet Inlet brings out the most exquisite qualities in Ballamy’s already fulsomely beatific sound around which Strønen’s dancing layers of percussion bubble and bite. … The welcome presence of Molvær and Fennesz expand these sonic depths even further … Mood (and possibly mind) altering stuff Quiet Inlet shows Food remain a rich source of unpredictable musical ingredients.
Mike Flynn, Jazzwise
 
Diesmal hat das ideale Duo zwei ideale Mitspieler gefunden, die es zu wechselnden Trios ergänzen. Nils Petter Molvær kehrt grandios zu ECM mit seinen traumverlorenen Trompetenexerzitien zurück, die wie Zwillingsbrüder zu Ballamys Schwelgen passen. … Die beiden höchst individuellen Architekten neuer Jazzgebäude fügen sich organisch in diese schmeichelnden, Räume öffnenden Soundscapes, die störungsfreie Einladungen zu Kontemplation und Einkehr sind, deren Titel schon auf Beruhigung, Stille und Verweilen weisen. Das ist modern und doch so, als wäre es immer schon dagewesen: Slow Food für die Ohren.
Ulrich Steinmetzger, Leipziger Volkszeitung
 
Nils Petter Molværs Trompete und die E-Gitarre des Österreichers Christian Fennesz, die das Duo … ergänzen, fügen sich in die weit schwingenden, lyrischen Klanglandschaften ein, als hätten sie schon immer dazu gehört. Der Begriff „lyrischer Jazz“ erhält durch die ruhig fließende, melodieorientierte, verhalten-melancholische Musik der Band eine aktuelle Bedeutungsvariante.
Heribert Ickerott, Jazzpodium
 
Happily this long-standing unit … knows how to use these resources as an adjunct to conventional (and assuredly expert) musicianship with results which are both evocatively atmospheric and provocatively detailed. Strønen’s deft percussion blends imperceptibly into his sampling, guests Molvær and Fennesz are in any event masters of this approach. … Unreservedly recommended.
Roger Thomas, BBC Music Magazine
 
It’s deceptively simple music, lyrical and melodic, embracing a subtle range of moods and textures, full of intense, improvised interplay, notably between Ballamy’s gorgeously pure saxophone sounds and Molvær’s expressively vocalised trumpet. Throughout, there is a creative tension in the contrast between their serene interweaving and the quiet yet insistent turbulence created by Strønen’s percussion.
Ray Comiskey, Irish Times
 
The music on … Quiet Inlet is downright exciting. … While some avant-garde groups use free improvisation to work up a sweat and make a lot of angry noise, Food uses it to create and assemble atmospheric layers, often by putting a lot of space between notes and phrases. … Such pieces are at once soothing and compelling: a combination not often found in this style of music.
Steve Greenlee, Jazz Times


An album of lyrical improvisation, spacious atmospherics and dark pulses from the Food duo of Thomas Strønen and Iain Ballamy, joined by Nils Petter Molvær and Christian Fennesz – in performances captured at Oslo’s Blå club and the Molde Festival, in 2007 and 2008.

A decade earlier, Molde had hosted Food’s debut when English saxophonist Ballamy was invited to join three Norwegian players – Strønen, Arve Henriksen, Mats Eilertsen – for an experimental concert. The group ‘chemistry’ felt so right, from the first notes played, that the players continued as a band. For the next eight years, a Food quartet toured the world, also recording a series of well-received albums. In 2006, the group was revamped, with the core duo of Strønen and Ballamy henceforth joined by guests for special concerts and projects.

On “Quiet Inlet”, Food’s sixth album, and their first for ECM, Austrian guitarist and electronics player Fennesz is featured on the tracks “Tobiko”, “Mictyris”, “Fathom”, while Norwegian trumpeter Molvær appears on “Chimaera”, “Becalmed”, “Cirrina” and “Dweller” (making this NPM’s most extended appearance on ECM since “Solid Ether”). In these open ended improvisations, the contexts are shaped by Food’s priorities, the emphases upon melodic playing, textural development and the creating and exploration of sound-environments. The acoustic aspects of Food’s music, with drums, bells, blocks gongs and lyrical saxophone, are enhanced by the use of live sampling as a structural element. The scope of expression runs, in Food’s words , “from minimalist to very turbulent.”

Both Iain Ballamy and Thomas Strønen are well-known figures in contemporary jazz and improvisation. Ballamy, who came to international attention in the 1980s as a member of the Loose Tubes collective and Bill Bruford’s Earthworks, continues to play with Django Bates in configurations including the group Human Chain. He has also worked with an extraordinarily wide range of bands and projects – from Hermeto Pascoal, Gil Evans and Mike Gibbs to Charlie Watts, the Karnataka College of Percussion and Billy Jenkins,– led his own ensembles, written music for films, and taught at London’s Royal Academy and Trinity College. Food’s first recordings – “Food” and “Organic and GM Food” – were released on Ballamy’s own label, Feral Records.

Last year Food – Strønen /Ballamy plus Arve Henriksen – appeared with the London Sinfonietta, premiering a new work by Iain Ballamy, “Gold Acre.” The work was commissioned by BBC Radio 3, who had previously presented Food with the Innovation Award in the wider context of the British Jazz Awards.
YEAR DATE VENUE LOCATION
2026 March 12 Urijazz Tønsberg, Norway
2026 April 23 Nasjonal Jazzscene, Victoria Oslo, Norway
2026 June 11 NDR Hamburg, Germany
2026 June 12 NDR Hamburg, Germany