“Few contemporary jazz-influenced singers manage to sound so intensely like themselves while drawing on such a variety of genres, languages, and cultural backstories as the Albania-born vocalist Elina Duni.”
– John Fordham, The Guardian
Reaching for the Moon is Elina Duni’s sixth ECM recording, and her third with Rob Luft. The Swiss-Albanian singer and the UK guitarist have been developing their musical project since 2017, when they first met at a Montreux Jazz Festival workshop. They share interests in a very broad span of music, as reflected in their quartet albums Lost Ships (2020) and A Time To Remember (2023). The new album, featuring just the core voice/guitar duo, is their most intimate to date, and in its quiet way as adventurous and far-reaching as its predecessors. Its hushed atmospheres often feel nocturnal, and the song texts of the duo’s originals and the pieces they have chosen to interpret frequently allude to aspects of the night. The arc of the programme opens with Irving Berlin’s “Reaching for the Moon” and concludes with Ornette Coleman’s “Lonely Woman”, where Margo Guryan’s lyric begins, “Lonely in the night she wanders…”
The much covered title song, which Irving Berlin originally wrote for the 1930 film of the same name, has drawn the attention of many jazz singers down the decades, with Frank Sinatra’s and Ella Fitzgerald’s among the best known. The Duni/Luft version of “Reaching for the Moon” is sparse and haunting, with the guitar shadowing and supporting the tenderly-phrased vocal, embellishing the melody, and underlining the meaning of the lyric.
Two further tunes associated with the movies are cannily grafted together by the duo as “Yumeji’s Theme” by Japanese composer Shigeru Umebayashi segues into “Sleep Safe and Warm” by Poland’s Krzysztof Komeda. The latter tune, an unsettling lullaby from Polanski’s Rosemary’s Baby, will be familiar to ECM listeners from interpretations by Tomasz Stanko and the Marcin Wasilewski Trio. The yearning Umebayashi theme, meanwhile, accompanying ghostly visitations in the Japanese film Yumeji, was also extensively repurposed by Wong Kar Wai for In The Mood for Love. Elina Duni floats through the film themes wordlessly, using the voice as a pure instrument.
French composer Gabriel Fauré’s art song “Les Berceaux” is a piece that would have fit well on Lost Ships, with its images of men drawn to to treacherous seas and women left to rock cradles on the quayside. “Cammina Cammina”, by Italian singer-songwriter Pino Daniele, also takes us down to the harbour, where an old man awaits death under the moonlight…
The multi-lingual singer Duni adds subtle hand drum rhythms to “Ani More Nuse”, a traditional piece from Kosova and to “Leili Lullaby”, composed by Persian singer Mahsa Vadat. The lullaby also brings forth a graceful, lilting guitar solo from Luft.
The Duni/Luft originals – “Foolish Flame”, “Magnolia” and your Arms – are love songs pitched between jazz and folk and chanson. Duni’s vocal flexibility allows her to move easily between idioms and Luft is no less resourceful, drawing on influences that have included Nick Drake as well as Bill Frisell.
*
Born in Tirana, Albania, in 1981, Elina Duni made her first steps on the stage aged five, singing for National Radio and Television. In 1992, she settled in Geneva, where she started studying classical piano and subsequently discovered jazz. Jazz studies at the Hochschule der Künste in Bern led to the formation of her quartet with Colin Vallon, Patrice Moret and Norbert Pfammatter, a group that lasted for more than 10 years. The band’s interweaving of Balkan folk songs and improvising on albums including the ECM releases Matanë Malit (Beyond the Mountain) and Dallëndyshe (The Swallow), was widely praised for its subtly and adroitness.
In 2017 Duni recorded the remarkable solo album Partir, on which she played all the instruments and sang in nine languages. Her first concerts with Rob Luft extended the Partir project, the guitarist expanding the atmospheric sound-world of the songs with electronics and effects: this developed into a partnership where creative parameters were established by both musicians.
Rob Luft was born in South London in 1993. He began playing with Britain’s National Youth Jazz Orchestra at 15, before going on to study at the Royal Academy of Music. On graduating in 2016 he received the academy’s Kenny Wheeler Jazz Prize, and has since been the winner of a number of awards, most recently including the UK Parliamentary Jazz Awards 2025, where he was voted Instrumentalist of the Year.
In addition to Lost Ships and A Time To Remember with Elina Duni, Rob Luft has also appeared on ECM with John Surman’s quartet on the album Words Unspoken.
*
Reaching for the Moon was recorded at Studios La Buissonne in the South of France in June 2025. The album, produced by Manfred Eicher, is released as Elina Duni and Rob Luft embark on a European tour. Concert dates include Teatro Sangiorgi, Catania. Italy (April 24), ECM Festival, Horben, Germany (May 3) The Stade, Hastings, UK (May 5), OffBeat Festival, Basel, Switzerland (May 9), Teatri i Kullave, Tirana, Albania (May 12 and 13), Arts Centre, Wolverhampton, UK (May 14), Vortex, London, UK (May 16), Corbak Festival, La Chaux-du-Milieu, Switzerland (May 21), Treibhaus, Innsbruck, Austria (May 27), Moods, Zurich, Switzerland (May 28), Festival Les Athénéennes, Geneva, Switzerland, (June 6).