The Art Ensemble of Chicago and Associated Ensembles

Art Ensemble Of Chicago

21-CD99,00 out of print
 “The Art Ensemble of Chicago is alone in jazz history for reaching back conceptually to long before there ever was anything called jazz and moving toward a future beyond category.”
– Nat Hentoff
 
THE ART ENSEMBLE OF CHICAGO AND ASSOCIATED ENSEMBLES is a 21-CD limited and numbered edition issued as the standard-bearers of Great Black Music prepare to celebrate their 50th anniversary. Both the Art Ensemble of Chicago and ECM Records were founded in 1969, and there have been many shared experiences. As Roscoe Mitchell says, “It has been amazing to have taken this journey together.”
 
With their first ECM album, the widely-acclaimed Nice Guys, the Art Ensemble’s revolutionary and polystylistic “ancient to the future” mix of musics – from the deeply spiritual to the fiercely experimental – was illuminated in new detail in Manfred Eicher’s panoramic production, and the stage set for many adventures to follow. These included the albums Full Force, Urban Bushmen, and The Third Decade with the classic AEC quintet line up of Roscoe Mitchell, Joseph Jarman, Lester Bowie, Malachi Favors Maghostut and Famoudou Don Moye. All of Bowie’s and Mitchell’s subsequent ECM recordings are also gathered together here. Charismatic trumpeter Lester Bowie is heard with his Brass Fantasy group, with Wadada Leo Smith and with Jack DeJohnette. Multi-reed master and primary AEC conceptualist Roscoe Mitchell appears with his Note Factory band, with the Transatlantic Art Ensemble co-founded with Evan Parker, and with an historic trios project recorded at Chicago’s Museum of Contemporary Art. Along the way, numerous distinguished creative musicians make appearances – the long list includes Muhal Richard Abrams, Henry Threadgill, Craig Taborn, Vijay Iyer, Matthew Shipp, Tyshawn Sorey, Fontella Bass, Charlie Haden, Kenny Wheeler, Corey Wilkes, Gerald Cleaver, Phillip Wilson, George Lewis, William Parker, John Abercrombie, Eddie Gomez, and many others, in ECM recordings made between 1978 and 2015.
 
This beautifully-designed box set incorporates a 300-page book reprising all original album covers, liner notes and poetry (by Joseph Jarman), as well as quotes from Art Ensemble members and the press, new texts by Craig Taborn, Vijay Iyer and George Lewis, a preface by Manfred Eicher, and an introduction by Steve Lake. Plus: many photographs (some previously unpublished), archival documents, and more.
Featured Artists Recorded

1978-2015

Original Release Date

01.10.2018

  • CD 1
  • 1Ja
    (Lester Bowie)
    08:39
  • 2Nice Guys
    (Roscoe Mitchell)
    01:41
  • 3Folkus
    (Don Moye)
    10:59
  • 45 9 7 - 5 9
    (Joseph Jarman)
    06:43
  • 5Cyp
    (Roscoe Mitchell)
    04:49
  • 6Dreaming Of The Master
    (Joseph Jarman)
    11:40
  • CD 2
  • 1Magg Zelma
    (Malachi Favors Maghostut)
    19:50
  • 2Care Free
    (Roscoe Mitchell)
    00:46
  • 3Charlie M
    (Lester Bowie)
    09:17
  • 4Old Time Southside Street Dance
    (Joseph Jarman)
    05:11
  • 5Full Force
    (Joseph Jarman, Lester Bowie, Malachi Favors Maghostut, Roscoe Mitchell)
    07:24
  • CD 3
  • 1Promenade: Cote Bamako I
    (Don Moye)
    04:11
  • 2Bush Magic
    (Don Moye, Malachi Favors Maghostut)
    05:05
  • 3Urban Magic: March / Warm Night Blues Stroll / Down the Walkway / RM Express
    (Don Moye, Joseph Jarman, Lester Bowie, Malachi Favors Maghostut, Roscoe Mitchell)
    15:39
  • 4Sun Precondition Two / Theme For Sco: Soweto Messenger / Bushman Triumphant / Entering the City / Announcement of Victory
    (Don Moye)
    21:53
  • CD 4
  • 1New York Is Full Of Lonely People
    (Lester Bowie)
    07:37
  • 2Ancestral Meditation
    (Don Moye, Joseph Jarman, Lester Bowie, Malachi Favors Maghostut, Roscoe Mitchell)
    06:56
  • 3Uncle
    (Roscoe Mitchell)
    17:29
  • 4Peter And Judith
    (Roscoe Mitchell)
    02:39
  • 5Promenade: Cote Bamako II
    (Don Moye)
    05:57
  • 6Odwalla/Theme
    (Roscoe Mitchell)
    05:14
  • CD 5
  • 1Prayer For Jimbo Kwesi
    (Joseph Jarman)
    09:47
  • 2Funky AECO
    (Famoudou Don Moye, Joseph Jarman, Lester Bowie, Malachi Favors Maghostut, Roscoe Mitchell)
    07:39
  • 3Walking In The Moonlight
    (Roscoe Mitchell)
    04:07
  • 4The Bell Piece
    (Roscoe Mitchell)
    06:02
  • 5Zero
    (Lester Bowie)
    05:55
  • 6Third Decade
    (Famoudou Don Moye, Joseph Jarman, Lester Bowie, Malachi Favors Maghostut, Roscoe Mitchell)
    08:19
  • CD 6
  • 1Divine Love
    (Leo Smith)
    21:47
  • 2Tastalun (dedicated to Lester Bowie)
    (Leo Smith)
    06:39
  • 3Spirituals: The Language Of Love
    (Leo Smith)
    15:28
  • CD 7
  • 1The Great Pretender
    (Buck Ram)
    16:50
  • 2It's Howdy Doody Time
    (Edward Kean)
    02:07
  • 3When The Doom (Moon) Comes Over The Mountain: a) Doom? b) When The Moon Comes Over The Mountain
    (Harry M. Woods, Howard E. Johnson)
    03:38
  • 4Rios Negros
    (Lester Bowie)
    07:15
  • 5Rose Drop
    (Lester Bowie)
    07:25
  • 6Oh, How The Ghost Sings
    (Donald Smith, Fred Williams, Lester Bowie, Manfred Eicher, Phillip Wilson)
    05:50
  • CD 8
  • 1For Louie
    (Phillip Wilson, Fontella Bass)
    12:14
  • 2Spacehead
    (Lester Bowie)
    06:47
  • 3Ghosts
    (Albert Ayler)
    03:09
  • Trans Traditional Suite
    (Lester Bowie)
  • 4All The Magic!/Everything Must Change/T. Jam Blues15:51
  • 5Let The Good Times Roll
    (Lee Leonard)
    06:47
  • CD 9
  • 1Organic Echo
    (Lester Bowie)
    03:18
  • 2Dunce Dance
    (Lester Bowie)
    02:05
  • 3Charlie M. (Part II)
    (Lester Bowie)
    02:51
  • 4Thirsty?
    (Lester Bowie)
    03:31
  • 5Almost Christmas
    (Lester Bowie)
    04:52
  • 6Down Home
    (Lester Bowie)
    02:40
  • 7Okra Influence
    (Lester Bowie)
    04:39
  • 8Miles Davis Meets Donald Duck
    (Lester Bowie)
    01:38
  • 9Deb Deb's Face
    (Lester Bowie)
    02:05
  • 10Monkey Waltz
    (Lester Bowie)
    01:35
  • 11Fradulent Fanfare
    (Lester Bowie)
    01:01
  • 12Organic Echo (Part II)
    (Lester Bowie)
    05:31
  • CD 10
  • 1I Only Have Eyes For You
    (Harry Warren, Al Dubin)
    10:26
  • 2Think
    (Bruce Purse)
    01:35
  • 3Lament
    (Malachi Thompson)
    13:47
  • 4Coming Back, Jamaica
    (Lester Bowie)
    05:14
  • 5Nonet
    (Bob Stewart)
    14:25
  • 6When The Spirit Returns
    (Lester Bowie)
    07:44
  • CD 11
  • 1The Emperor
    (Steve Turre)
    10:29
  • 2Saving All My Love For You
    (Gerald Goffin, Michael Masser)
    05:06
  • 3B Funk
    (Lester Bowie)
    03:48
  • 4Blueberry Hill
    (Al Lewis, Larry Stock, Vincent Rose)
    05:24
  • 5Crazy
    (Willie Nelson)
    05:23
  • 6Macho (Dedicated To Machito)
    (Steve Turre)
    06:16
  • 7No Shit
    (Lester Bowie)
    05:11
  • 8Oh, What A Night
    (Johnny Funches, Marvin Junior)
    05:33
  • CD 12
  • 1Sangaredi
    (Famoudou Don Moye)
    07:42
  • 2Suite for Lester
    (Roscoe Mitchell)
    05:22
  • 3Zero / Alternate Line
    (Lester Bowie, Roscoe Mitchell)
    09:16
  • 4Tutankhamun
    (Malachi Favors Maghostut)
    08:10
  • 5As Clear as the Sun
    (Famoudou Don Moye, Malachi Favors Maghostut, Roscoe Mitchell)
    12:41
  • 6He Speaks to Me Often in Dreams
    (Famoudou Don Moye, Malachi Favors Maghostut, Roscoe Mitchell)
    13:52
  • CD 13
  • 1Leola
    (Roscoe Mitchell)
    09:35
  • 2Dream And Response
    (Roscoe Mitchell)
    05:35
  • 3For Lester B
    (Roscoe Mitchell)
    06:07
  • 4Jamaican Farewell
    (Roscoe Mitchell)
    05:45
  • 5Hop Hip Bip Bir Rip
    (Roscoe Mitchell)
    05:59
  • 6Nine To Get Ready
    (Roscoe Mitchell)
    03:52
  • 7Bessie Harris
    (Roscoe Mitchell)
    06:47
  • 8Fallen Heroes
    (Roscoe Mitchell)
    06:33
  • 9Move Toward The Light
    (Roscoe Mitchell)
    03:24
  • 10Big Red Peaches
    (Roscoe Mitchell)
    02:03
  • CD 14
  • Composition/Improvisation Nos. 1, 2 & 3
    (Roscoe Mitchell)
  • 1I13:36
  • 2II04:07
  • 3III18:34
  • 4IV05:42
  • 5V03:54
  • 6VI03:17
  • 7VII09:12
  • 8VIII14:48
  • 9IX05:58
  • CD 15
  • 1Overture
    (Evan Parker)
    01:21
  • 2Furrow 1
    (Evan Parker)
    08:09
  • 3Furrow 2
    (Evan Parker)
    05:46
  • 4Furrow 3
    (Evan Parker)
    11:07
  • 5Furrow 4
    (Evan Parker)
    05:21
  • 6Furrow 5
    (Evan Parker)
    08:20
  • 7Furrow 6
    (Evan Parker)
    12:52
  • 8Finale
    (Evan Parker)
    06:19
  • CD 16
  • 1Far Side / Cards / Far Side
    (Roscoe Mitchell)
    30:56
  • 2Quintet 2007 A For Eight
    (Roscoe Mitchell)
    09:56
  • 3Trio Four For Eight
    (Roscoe Mitchell)
    12:37
  • 4Ex Flover Five
    (Roscoe Mitchell)
    12:24
  • CD 17
  • 1Spatial Aspects of the Sound
    (Roscoe Mitchell)
    12:14
  • 2Panoply
    (Roscoe Mitchell)
    07:36
  • 3Prelude to a Rose
    (Roscoe Mitchell)
    12:44
  • 4Dancing in the Canyon
    (Craig Taborn, Kikanju Baku, Roscoe Mitchell)
    10:23
  • 5EP 7849
    (Roscoe Mitchell)
    08:13
  • 6Bells for the South Side
    (Roscoe Mitchell)
    12:35
  • CD 18
  • 1Prelude to the Card Game, Cards for Drums, and The Final Hand
    (Roscoe Mitchell)
    16:03
  • 2The Last Chord
    (Roscoe Mitchell)
    12:26
  • 3Six Gongs and Two Woodblocks
    (Roscoe Mitchell)
    07:50
  • 4R509A Twenty B
    (Roscoe Mitchell)
    01:34
  • 5Red Moon In The Sky / Odwalla
    (Roscoe Mitchell)
    25:49
  • CD 19
  • 1Bayou Fever
    (Jack DeJohnette)
    08:40
  • 2Where Or Wayne
    (Jack DeJohnette)
    12:25
  • 3Dream Stalker
    (Eddie Gomez, Jack DeJohnette, John Abercrombie, Lester Bowie)
    05:55
  • 4One Handed Woman
    (Eddie Gomez, Jack DeJohnette, John Abercrombie, Lester Bowie)
    10:49
  • 5Silver Hollow
    (Jack DeJohnette)
    08:24
  • CD 20
  • 1Salsa For Eddie G.
    (Jack DeJohnette)
    16:05
  • 2Where Or Wayne
    (Jack DeJohnette)
    12:29
  • 3Bayou Fever
    (Jack DeJohnette)
    18:24
  • 4Multo Spiliagio
    (Eddie Gomez, Jack DeJohnette, John Abercrombie, Lester Bowie)
    09:33
  • CD 21
  • 1Chant
    (Roscoe Mitchell)
    16:56
  • 2Jack 5
    (Muhal Richard Abrams)
    14:53
  • 3This
    (Roscoe Mitchell)
    12:13
  • 4Museum of Time
    (Jack DeJohnette)
    13:37
  • 5Leave Don't Go Away
    (Henry Threadgill)
    10:19
  • 6Announcement
    (Jack DeJohnette)
    03:28
  • 7Ten Minutes
    (Henry Threadgill, Jack DeJohnette, Larry Gray, Muhal Richard Abrams, Roscoe Mitchell)
    06:09
“An impressive complement to a season of commemoration, this elegant boxed set gathers every ECM release by The Art Ensemble of Chicago, along with albums that spin in a compatible orbit […] Avant-garde enthusiasts will be familiar with most if not all of this material, but it’s presented in such handsome fashion here, as in the catalog of a museum retrospective, that the package makes its case.” Nate Chinen WBGO
 
Some of the best work of one of the greatest groups in jazz is celebrated in a new mammoth boxed set, ‘The Art Ensemble of Chicago and Associated Ensembles’ (ECM). The package features 21 discs, including five essential recordings from the Art Ensemble, as well as individually led and sideman projects by its members. It is a vital document of jazz in the late ’70s and early ’80s, and it offers clear sonic through-lines to some of today’s most important bands.
Martin Johnson, The Wall Street Journal
 
Fewer groups in improvised music have a legacy more respected than the 50-year run of The Art Ensemble of Chicago, and ECM Records has assembled every note they released on that label with “The Art Ensemble of Chicago and associated ensembles.” […] The box set’s heartfelt and thoughtfully annotated book will serve as a revelation to admirers of the group […] When I heard the Art Ensemble’s ‘Full Force’ album (included here) as an impressionable kid, its expressions of freedom changed my life by exposing me to the possibilities of sound. I haven’t been the same since; it’s nice to think someone else might be affected by these geniuses decades later.
Bret Saunders, Denver Post
 
This 21-CD collection, centred on the four recordings the Ensemble made for ECM between 1978 and 1984, captures the quintet in its vibrant theatrical prime, fearlessly living up to the strapline ‘Great Black Music, from the ancient to the future’. […] A fascinating document of an influential strand of left-field jazz.
Mike Hobart, Financial Times
 
ECM’s state-of-the-art production values are palpable in the recordings […] The oft-reserved Mitchell was particularly effusive about the box set’s booklet, a feat of design ingenuity and editorial intelligence that does the music justice, augmenting well-reproduced album covers with a slew of archival documents and photographs, and essays by luminaries like George Lewis and Vijay Iyer.
Ted Panken, Downbeat
 
Musik, die weite Kreise gezogen hat: Das merkt man an dieser Auswahl.    […] Sie schufen etwas ganz Eigenes und gaben dem Jazz eine Sinnlichkeit und Ursprünglichkeit wieder, die dieser – zumindest in seinen avantgardistisch-experimentellen Formen – zuvor verloren hatte. Nicht umsonst schrieb 1980 ein Autor der Zeitschrift ‚La Tribune‘ über das Erleben dieser Band: ‚Es ist egal, ob man irgendetwas von Jazz versteht; dies ist eine durch und durch menschliche Erfahrung.‘    Töne, die der Welt etwas mitzuteilen haben – und nicht nur den Spezialisten. Gerade das ist ein Grund, wieder einmal tief einzutauchen in einen ebenso eigenen wie weit offenen Klang-Kosmos.
Roland Spiegel, Bayerischer Rundfunk
 
C’est cette saga couvrant près de quarante ans de passions partagées dont ce somptueux coffret rend compte aujourd’hui en rèunissant de façon chronologique et thématique pas moins de 21 enregistrements, parus sur ECM entre 1979 et 2017. […] Manfred Eicher a eu l’excellente idée de regrouper tous les disques du label auxquels Bowie et Mitchell ont participé, en leader ou en sideman, dans des registres des plus variés. C’est Lester Bowie qui le premier, parallèlement à l’aventure de l’Art Ensemble, trouva sur ECM un espace ideal où developper sa voix, lyrique et expressionniste. […] A l’arrivée, ce coffret magnifiquement conçu, riche d’un livre de 300 pages regroupant    toutes les pochettes originales des albums, des liner notes et des poems de Joseph Jarman, ainsi que des textes inédits écrits par Craig Taborn, Vijay Iyer et George Lewis, une preface de Manfred Eicher, et une introduction par Steve Lake, offer un apercu saisissant de la contribution d’ECM à la diffusion des forms les plus avant-gardistes de la musique afro-amèricaine. Pas forcément là où on l’attendait…
Stéphane Ollivier, Jazz Magazine
 
 
 
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