Windflower

Ayumi Tanaka, Thomas Morgan, Thomas Strønen

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“Sparse, subtle and determined as much by silence as by sound, hers is a music created using deft, fleeting strokes” wrote the BBC Music Magazine of Ayumi Tanaka’s Subaqueous Silence. And Windflower reconfirms the potency of a musical approach in which intensity is conveyed through restraint and focus. This time, however, the music is for the most part collectively created, with all three players shaping the pieces in the moment. Tanaka, the Wakayama-born and Oslo-based pianist, has collaborated with Norwegian drummer Thomas Strønen for a decade already, in contexts including the band Time Is A Blind Guide and the Bayou trio with reed player and singer Marthe Lea. The association with US bassist Thomas Morgan is a new development. The three musicians found an immediate rapport on playing together for the first time at Oslo’s Nasjonal Jazz Scene Victoria in September 2024 and then, at producer Manfred Eicher’s suggestion, followed up with the recording of Windflower at Studios La Buissonne in the South of France in May 2025. The album, featuring eight luminous free ballads plus Ayumi’s composition “La Source”,  is released on the eve of an international tour with concerts in Norway, France, Germany, Belgium and Switzerland.
„Spärlich, subtil und ebenso sehr von der Stille wie vom Klang geprägt – ihre Musik entsteht aus feinen, flüchtigen Gesten“, schrieb das BBC Music Magazine über Ayumi Tanakas Album Subaqueous Silence. Mit Windflower bestätigt die Pianistin erneut die Kraft eines musikalischen Ansatzes, bei dem Intensität durch Zurückhaltung und Konzentration entsteht. Diesmal jedoch ist die Musik größtenteils ein gemeinschaftlicher Schaffensprozess, bei dem alle drei Musikerinnen und Musiker die Stücke im Moment des Spiels gemeinsam formen. Die in Wakayama geborene und heute in Oslo lebende Ayumi Tanaka arbeitet bereits seit einem Jahrzehnt mit dem norwegischen Schlagzeuger Thomas Strønen zusammen – unter anderem in dessen Band Time Is A Blind Guide sowie im Trio Bayou mit der Saxophonistin und Sängerin Marthe Lea. Die Zusammenarbeit mit dem US-amerikanischen Kontrabassisten Thomas Morgan ist hingegen eine neue Entwicklung. Die drei Musiker fanden sofort einen gemeinsamen musikalischen Zugang, als sie im September 2024 erstmals gemeinsam auf der Nasjonal Jazz Scene Victoria in Oslo auftraten. Auf Anregung des Produzenten Manfred Eicher folgte im Mai 2025 die Aufnahme von Windflower in den Studios La Buissonne im Süden Frankreichs. Das Album, das neben acht leuchtenden freien Balladen auch Ayumi Tanakas Komposition „La Source“ enthält, erscheint unmittelbar vor einer internationalen Tournee mit Konzerten in Norwegen, Frankreich, Deutschland, Belgien und der Schweiz.
Featured Artists Recorded

May 2025, Studios La Buissonne, Pernes les Fontaines

Original Release Date

21.08.2026

  • 1Windflower
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    04:44
  • 2La Source
    (Ayumi Tanaka)
    05:55
  • 3From Us, To You
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    04:43
  • 4Tree of Stars
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    05:10
  • 5Weaving
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    03:41
  • 6The Sea Is Still
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    02:36
  • 7Spring
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    04:20
  • 8Driftwood
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    06:04
  • 9The Dissolving Sun
    (Ayumi Tanaka, Thomas Morgan, Thomas Strønen)
    02:41
Windflower introduces a new trio, with the Japanese pianist Ayumi Tanaka, the US bassist Thomas Morgan and the Norwegian drummer Thomas Strønen. Three players well-known to followers of musical directions at ECM, they shape their music together, weaving abstract and lyrical ideas in pieces whose flow and energy are influenced by chamber music and jazz, and by sensibilities of East, West and North.
 
The fragile windflower, or anemone, symbolises the transience of beauty in several cultures, and the need to grasp and cherish the moment. Here, free balladry is to the fore in an album whose luminous music features eight spontaneously composed tracks and an unconstrained arrangement of Tanaka’s tune “La Source”. For Ayumi and her fellow players, the means of creation is secondary to the destination. “I want to compose music which sounds like an improvisation,” she has said, “and to improvise music that sounds like it has been written…” Her life story has addressed both modes, playing classical musical and contemporary composition in Japan before heading to Oslo in 2011, where Misha Alperin became a mentor as she began to explore ‘Nordic’ routes to jazz expressivity.
 
Tanaka’s originality has been showcased in Thomas Strønen’s projects including the albums Lucus and Off Stillness with the ensemble Time Is A Blind Guide and the exploratory trio heard on the 2018 recording Bayou  (with Strønen, Tanaka and Marthe Lea). Her own album, Subaqueous Silence, issued in 2021, was internationally praised for its creativity, ascetic rigour and sense of space.  “Tanaka makes every note count,” UK magazine The Wire observed. “Not one is unfelt.”
 
Thomas Morgan made his ECM debut with the John Abercrombie Quartet in 2008, and since then has appeared in many contexts, among the most notable being his part in Masabumi Kikuchi’s trio alongside Paul Motian on the 2012 released recording Sunrise. Besides his ongoing associations with Jakob Bro and Bill Frisell, Morgan has contributed to further piano trios led by Craig Taborn and Giovanni Guidi, attesting to the bass player’s versatility and adaptability. Like Charlie Haden or Gary Peacock before him, he can access the essential in each improvisational setting, and to contribute to it, highly supportive but also with a strong voice of his own. The way in which Morgan threads a melodic bass line through the gently glittering phrasing of the piano on “Tree of Stars” is among this album’s highlights.
 
Thomas Strønen’s recent releases include the album Relations exploring new threads of connectivity in a programme of lockdown duets with Chris Potter, Craig Taborn, Sinikka Langeland and Jorge Rossy. He also collaborated with John Surman on Words Unspoken, released in 2024.  Strønen’s association with ECM dates from 2005 and the ensemble Parish whose members included Bobo Stenson and Fredrik Ljungkvist.  Subsequently, in the group Food, with musical partner Iain Ballamy, Strønen proposed fresh approaches to layered, improvised percussion. On Windflower the stark patterning of Strønen’s drums on the title track opens up a new space in which dynamic interaction can take place, as the music unfolds.
 
The Tanaka/Morgan/Strønen trio played together for the first time at Oslo’s Nasjonal Jazz Scene Victoria in September 2024. The potential of the combination was immediately apparent, and album producer Manfred Eicher proposed that they bring the project to Studios la Buissonne in Southern France, where Windflower was recorded in May 2025.
 
Windflower is released on the eve of a European tour. Dates include USF Cultural Centre, Bergen, Norway (September 11), Kabuso, Øystese, Norway (September 12), Le Petit faucheux, Tours, France (September 16), Stadtgarten, Cologne, Germany (September 23), Nova Express, Mechelen, Belgium (September 24)AMR, Genève, Switzerland September 25
YEAR DATE VENUE LOCATION
2026 September 11 Jazzforum Bergen, Norway
2026 September 12 Kabuso Øystese, Norway
2026 September 13 Bakkehaugen Kirke Oslo, Norway
2026 September 16 le Petit Faucheux Tours, France
2026 September 23 Stadtgarten Cologne, Germany
2026 September 24 Nova Express Mechelen, Belgium
2026 September 25 AMR Genève, Switzerland